Khalisa Rae is an award-winning poet, educator, and journalist in Durham, NC. She is the author of the debut poetry collection, Ghost in a Black Girl's Throat (Red Hen Press 2021), and Contributing Writer for Kindred. Her essays are featured in Autostraddle, Catapult, LitHub, as well as articles in Jezebel, Blavity, B*tch Media, NBC-BLK, and others. Her poetry appears in Southern Humanities Review, Gravy, Frontier Poetry, Florida Review, Rust & Moth, PANK, HOBART, among countless others. She is the winner of the Appy Award, Vulgar Genius, Bright Wings Poetry contest, the Furious Flower Gwendolyn Brooks Poetry Prize, among other prizes. As a former Winter Tangerine, Frost Place and Watering Hole fellow, she is currently the EIC of Think in Ink BIPOC collective and the Writers of Color Speak/"Uncomposed" reading series. Her YA novel in verse, Unlearning Eden, is forthcoming.
Sarah Nnenna Loveth Nwafor (They/Them) is a queer Igbo-American Poet, Educator, and Facilitator who descends of a powerful ancestry. They believe that storytelling is magick, and they speak to practice traditions of Igbo orature. When they witness, their forebears are pleased. Sarah has been writing for a minute and is learning something new about their voice each year, but one thing they’re proud to share is that they have a chapbook with Game Over Books! When Sarah's not writing; they’re probably sitting under a tree, reading about Love, dancing with friends or cooking a bomb-ass meal like the true Taurus they are. They can be found on instagram (@sarahnwafor) or on their website:sarahnwafor.com
ANYA ACHTENBERG SEFARA-RABI is an award-winning fiction writer and poet whose publications include the novel Blue Earth; novella The Stories of Devil-Girl; poetry collections The Stone of Language, and, I Know What the Small Girl Knew. Individual pieces are published in numerous literary magazines and anthologies, including Gargoyle Magazine; Harvard Review; DC’s Beltway Poetry Quarterly; Tupelo Quarterly; Journal of Feminist Studies in Religion; Malpais Review; and Poet Lore. Writing awards and distinctions have come from Southern Poetry Review; Another Chicago Magazine;Coppola’s Zoetrope: All-Story; New Letters; the Raymond Carver Story Contest; the Minnesota State Arts Board, and others. Her novel History Artist, multivocal and genre-bending,with an ensemble cast of characters centered around a young Cambodian woman born at the moment the U.S. invasion began, is 5 minutes away from completion in novelist time;and, close, too, is a poetry and unprose collection, Matadors at the Crossing. Her occasional blog Writing in Upheaval explores Anya’s organic approach to writing craft that expands creativity; counters historical amnesia; and examines how trauma and narration connect, and how history sits in us. Anya teaches two series of fiction, memoir, and multi-genre creative writing courses, Writing for Social Change: Re-Dream a Just World Workshops; and, The Disobedient Writer Workshops; consults with writers of fiction and nonfiction, prose and poetry, in English and in Spanish; and is blown away by the brilliant, original, diverse and urgent work of engaged writers, women and others, who have found their way to her, and to each other. See https://anya-achtenberg.com/